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Crop PSD

Cut PSD files to Shape

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How to Crop PSD

1 Upload your PSD files and wait for the preview to appear.
2 Drag out the region you want to keep, or lock the selection to 1:1, 4:3 or 16:9 and drag freely inside that ratio.
3 Confirm the crop — the same rectangle is applied to every file you uploaded, which is how a set ends up genuinely consistent.
4 Download the cropped PSD file, with everything outside the frame discarded.

Crop PSD FAQ

Does my source format change how a crop behaves?
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It can. PSD is Photoshop native — layers, masks, adjustment layers and blend modes stay live and editable, which no flat image format can represent. That decides whether the crop is a pure pixel operation or whether the file has to be rebuilt around it.
Yes — layers, masks and adjustment layers are live objects rather than pixels, so a tool either preserves them or composites them down — there is no middle option. That is the sort of detail that only shows up after you have overwritten the original.
Cropping before resizing. Crop first from the full-resolution original, then resize the result — doing it the other way round means the region you keep has already lost detail it did not need to lose.
Concretely, the canvas bounds are changed and every layer is cropped with it, so the stack survives; layer content outside the new canvas is discarded rather than hidden, which is the difference between a crop and a mask. You drag the region you want directly on the preview, or type exact pixel coordinates if you already know them.
Yes, though layered documents are the heaviest thing in the image family to decode, so a batch of large PSDs takes noticeably longer per file than the equivalent JPGs.
Only if the output is itself a layered format. A flat image format cannot represent a live layer, an editable text object or an adjustment layer, so those are baked into the result. Keep your original PSD — the output is a deliverable, not a replacement master.
Yes: free accounts process images up to 25 MB each, and layered documents reach that faster than anything else in the image family because every layer stores its own pixel data. A working PSD with dozens of layers can exceed that easily; flattening a copy in Photoshop first, or converting to TIFF, is the usual way around it.
Pixel data in a PSD is stored losslessly, so nothing degrades. The real question is structural: whether the result keeps the layer stack or arrives as a finished composite. Anything that has to produce a flat image applies blend modes, masks and opacity exactly as Photoshop previews them.
WORD.to is built around the editable end of a document's life — the DOCX that is still being written, still being styled and still being argued over, before anyone flattens it for sending. Office files are containers full of other people's media — images, embedded audio, fonts — so the work people need on them is usually the work they would need on those contents anyway. Crop PSD shares the upload, the caps and the account with the conversions for that reason.
The converter on this site takes documents out to PDF for sending, to images for embedding and to plain text for anything that has to read them programmatically, and back the other way. Doing that afterwards keeps the editable original around, which is the part you cannot get back once it has been flattened.
The engines are shared — the same document toolchain, the same workers, the same limits. What a Word site adds is a view on what survives leaving the Office format and what does not, which is the question every one of these jobs actually turns on. It also starts from one fact about the format this site is named after: the document is a zip of XML, so text edits are cheap and the weight is almost always the embedded images.
No account, and nothing is kept: uploads are deleted from the workers shortly after the job finishes, nothing is read and nothing is indexed. Free accounts exist for history and batch size, not for access.

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