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GIF Editor

Browser-Based GIF Editing

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How to Edit GIF Online

1 Upload the GIF animations you want to work on; the file opens on an editable canvas in your browser with nothing installed.
2 Crop, rotate, resize, draw, add text and shapes, or adjust colour — every change lands on a working copy, never on your upload.
3 Preview the result at full size before you commit to it.
4 Export back to GIF, or to a lossless format instead if you are still part-way through editing.

GIF Editor FAQ

Does the file format limit what the editor can do?
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It does. GIF is capped at a 256-colour palette with single-bit (on/off) transparency and no partial alpha, which is why photographs band and dither in it. What the format can represent bounds what any editor can preserve, here or on the desktop.
Yes — the palette is shared across the whole animation, so any change to one frame is negotiated against the colours every other frame needs. Worth knowing before you export over your only copy.
Only what the export format cannot represent. Choose a lossless output while you are still iterating and a compressed one when you are finished — exporting to a lossy format between edit sessions is what accumulates damage.
Concretely, only the frame you are looking at is editable; the remaining frames and the shared palette are held aside and reassembled at export, so an edit to one frame is negotiated against the colours the rest of the animation still needs. The editing surface is the browser, so there is nothing to install and no licence to hold.
Yes, and it is worth doing — per-file overhead on an animation is dominated by decoding every frame, so a batch amortises far better than the equivalent set of single runs.
Animation is preserved. Every frame is decoded, processed and re-assembled with the original delays and loop count intact. You only get a still if you explicitly ask for a single frame.
Yes: free accounts process images up to 25 MB each, which is a real constraint for animation — a few seconds of full-frame GIF reaches that quickly. If an animation is over the limit, cutting the frame rate is almost always a better first move than cutting the dimensions — the eye forgives 12 fps far more readily than it forgives a smaller picture.
The binding constraint on a GIF is not the operation, it is the 256-colour palette. Anything that changes pixel values forces a re-quantisation against a palette shared by every frame, which is where banding and dithering come from. Frame timing and loop count are preserved.
WORD.to is built around the editable end of a document's life — the DOCX that is still being written, still being styled and still being argued over, before anyone flattens it for sending. Office files are containers full of other people's media — images, embedded audio, fonts — so the work people need on them is usually the work they would need on those contents anyway. GIF Editor shares the upload, the caps and the account with the conversions for that reason.
The converter on this site takes documents out to PDF for sending, to images for embedding and to plain text for anything that has to read them programmatically, and back the other way. Doing that afterwards keeps the editable original around, which is the part you cannot get back once it has been flattened.
The engines are shared — the same document toolchain, the same workers, the same limits. What a Word site adds is a view on what survives leaving the Office format and what does not, which is the question every one of these jobs actually turns on. It also starts from one fact about the format this site is named after: the document is a zip of XML, so text edits are cheap and the weight is almost always the embedded images.
No account, and nothing is kept: uploads are deleted from the workers shortly after the job finishes, nothing is read and nothing is indexed. Free accounts exist for history and batch size, not for access.

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