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Compress GIF

Make GIF animations Smaller Online

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*Files deleted after 24 hours

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How to Compress GIF

1 Drop your GIF animations into the box above, or pick them from your device — there is nothing to install and no account to create.
2 Choose how hard to squeeze: a quality or bitrate target, and optionally smaller dimensions if size matters more to you than detail.
3 Start the job and let the workers re-pack the file; your original is never modified in place.
4 Compare the new size against the original, then download the compressed GIF file.

Compress GIF FAQ

Does the format of my file change how much I can save?
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Very much so. GIF is capped at a 256-colour palette with single-bit (on/off) transparency and no partial alpha, which is why photographs band and dither in it. That determines both the headroom available and whether the saving costs you anything in fidelity.
Yes — the palette is shared across the whole animation, so any change to one frame is negotiated against the colours every other frame needs. It is worth knowing before you overwrite an original you might need again.
Compressing the same file repeatedly. Each pass on a lossy format is a fresh generation of loss and the savings shrink while the damage accumulates. Go from the original to your target in one step, and keep the original.
Concretely, the work happens across frames rather than within one: the shared palette is re-quantised, duplicate frames are dropped and inter-frame differencing keeps only the pixels that actually moved, which is where nearly all of the saving on an animation comes from. Nothing about it depends on you installing software: the job runs server-side and hands back a finished file.
Yes, and it is worth doing — per-file overhead on an animation is dominated by decoding every frame, so a batch amortises far better than the equivalent set of single runs.
Animation is preserved. Every frame is decoded, processed and re-assembled with the original delays and loop count intact. You only get a still if you explicitly ask for a single frame.
Yes: free accounts process images up to 5 MB each, which is a real constraint for animation — a few seconds of full-frame GIF reaches that quickly. If an animation is over the limit, cutting the frame rate is almost always a better first move than cutting the dimensions — the eye forgives 12 fps far more readily than it forgives a smaller picture.
The binding constraint on a GIF is not the operation, it is the 256-colour palette. Anything that changes pixel values forces a re-quantisation against a palette shared by every frame, which is where banding and dithering come from. Frame timing and loop count are preserved.
WORD.to is built around the editable end of a document's life — the DOCX that is still being written, still being styled and still being argued over, before anyone flattens it for sending. Office files are containers full of other people's media — images, embedded audio, fonts — so the work people need on them is usually the work they would need on those contents anyway. Compress GIF shares the upload, the caps and the account with the conversions for that reason.
The converter on this site takes documents out to PDF for sending, to images for embedding and to plain text for anything that has to read them programmatically, and back the other way. Doing that afterwards keeps the editable original around, which is the part you cannot get back once it has been flattened.
The engines are shared — the same document toolchain, the same workers, the same limits. What a Word site adds is a view on what survives leaving the Office format and what does not, which is the question every one of these jobs actually turns on. It also starts from one fact about the format this site is named after: the document is a zip of XML, so text edits are cheap and the weight is almost always the embedded images.
No account, and nothing is kept: uploads are deleted from the workers shortly after the job finishes, nothing is read and nothing is indexed. Free accounts exist for history and batch size, not for access.

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