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WMA Cutter

Cut WMA audio files to a Start and End Point

Choose your files

*Files deleted after 24 hours

Specify the start and end time for the portion you want to keep.

Format: HH:MM:SS (e.g., 00:01:30 for 1 minute 30 seconds)

Transform up to 1 GB files free, Pro users can convert up to 100 GB files; Sign up now

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How to Cut and Trim WMA

1 Upload the WMA audio files you want to cut.
2 Drag the start and end handles on the waveform or the timeline, or type exact timecodes if you already know them.
3 Preview the selection and run the cut — the part you keep is copied through untouched wherever the format allows it.
4 Download the trimmed WMA file.

WMA Cutter FAQ

Does the format limit where I can cut?
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It does. WMA is Windows Media Audio, tied to the Microsoft stack and poorly supported on phones. That is precisely what decides whether a cut can be placed arbitrarily or has to land on a structural boundary.
Yes — WMA tooling outside the Microsoft stack is thin, which is why browser-side work on it is usually more reliable than a desktop app. It explains most of the "the cut is a fraction of a second off" surprises.
Yes — cut the piece before it and the piece after it, then merge the two results. That is deliberately two steps because it keeps both halves on the fast, lossless path instead of forcing a full re-encode.
Concretely, the cut is made on frame boundaries and the surviving frames are copied through without re-encoding, so the audio you keep is bit-identical to the original — no second generation, and the job finishes in about the time it takes to upload. You set the start and end points on the waveform or the timeline and keep what is between them.
Yes. Upload the set and they process in parallel with the same settings, which is the practical way to handle a podcast series or an album rather than repeating the job by hand.
Yes. ID3, Vorbis comments and MP4 metadata atoms are carried across, cover art included, so a processed file still sorts correctly in a music library. ReplayGain values are recalculated rather than copied, because a stale one is worse than none.
Yes: free accounts process audio up to 25 MB per file, which at typical bitrates is several hours of material; ffmpeg does the decoding and encoding, exactly as it would on a desktop. That is the most generous cap on the site after video, and audio work rarely runs into it.
A lossy file has already discarded detail once, and re-encoding discards more — that is generation loss and it does not undo. Wherever the job can be completed by copying the encoded stream rather than re-encoding it, that is what happens, and the audio comes back bit-identical.
WORD.to is built around the editable end of a document's life — the DOCX that is still being written, still being styled and still being argued over, before anyone flattens it for sending. Office files are containers full of other people's media — images, embedded audio, fonts — so the work people need on them is usually the work they would need on those contents anyway. WMA Cutter shares the upload, the caps and the account with the conversions for that reason.
The converter on this site takes documents out to PDF for sending, to images for embedding and to plain text for anything that has to read them programmatically, and back the other way. Doing that afterwards keeps the editable original around, which is the part you cannot get back once it has been flattened.
The engines are shared — the same document toolchain, the same workers, the same limits. What a Word site adds is a view on what survives leaving the Office format and what does not, which is the question every one of these jobs actually turns on. It also starts from one fact about the format this site is named after: the document is a zip of XML, so text edits are cheap and the weight is almost always the embedded images.
No account, and nothing is kept: uploads are deleted from the workers shortly after the job finishes, nothing is read and nothing is indexed. Free accounts exist for history and batch size, not for access.

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