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Resize MP4

Scale MP4 videos to Any Size

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How to Resize MP4

1 Upload the MP4 videos you want resized — work from the largest original you have rather than from a copy you already shrank once.
2 Type a target width, a target height or a percentage, and leave the aspect-ratio lock on unless you deliberately want stretching.
3 Run the resize; every file in the batch is taken to the same target in a single pass.
4 Download the resized MP4 file, or the whole set together as one archive.

Resize MP4 FAQ

Does the source format affect the result of a resize?
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It does. MP4 is the safest delivery container: H.264 video with AAC audio plays on effectively every phone, browser and TV without a codec pack. That is what decides whether shrinking the file is purely a question of pixels or also a question of re-encoding.
Yes — MP4 keeps its index in a moov atom, so a stream-copy edit is near-instant and the result still seeks properly in a browser. Worth checking before you resize a file you will not be able to regenerate.
Upscaling. Enlarging cannot invent detail that was never captured, so the result is a soft version of the original at a bigger size. Always resize down from the largest source you have, and resize once rather than in stages.
Concretely, the frames are scaled with a high-quality filter and the stream is re-encoded, since resolution is a property of the coded picture; the aspect ratio is preserved unless you deliberately override it. You give it a target width, a target height or a percentage, and it works from the original rather than from a previously resized copy.
Yes. Uploads queue in parallel, which matters more here than anywhere else because video jobs are minutes rather than seconds. Free accounts run one file at a time; a pass lifts that.
They are carried across. Multi-track audio, embedded subtitle tracks and chapter markers survive wherever the target container can represent them — that is the main thing that separates a proper job from a naive re-encode that silently keeps only track one.
Yes: free accounts process video up to 40 MB per file, by far the most generous cap on the site; ffmpeg with x264, x265 and libvpx does the work, which is the same toolchain behind most desktop video software. Video is the one family where the cap is high enough that upload time, not the limit, is what you will actually notice.
It depends on whether the job needs a re-encode. Operations that only touch the container or the timeline are done as a stream copy and the picture is bit-identical to the source. Anything that has to redraw frames goes through x264/x265 at a quality level you set, where CRF 23 is visually transparent on most footage.
WORD.to is built around the editable end of a document's life — the DOCX that is still being written, still being styled and still being argued over, before anyone flattens it for sending. Office files are containers full of other people's media — images, embedded audio, fonts — so the work people need on them is usually the work they would need on those contents anyway. Resize MP4 shares the upload, the caps and the account with the conversions for that reason.
The converter on this site takes documents out to PDF for sending, to images for embedding and to plain text for anything that has to read them programmatically, and back the other way. Doing that afterwards keeps the editable original around, which is the part you cannot get back once it has been flattened.
The engines are shared — the same document toolchain, the same workers, the same limits. What a Word site adds is a view on what survives leaving the Office format and what does not, which is the question every one of these jobs actually turns on. It also starts from one fact about the format this site is named after: the document is a zip of XML, so text edits are cheap and the weight is almost always the embedded images.
No account, and nothing is kept: uploads are deleted from the workers shortly after the job finishes, nothing is read and nothing is indexed. Free accounts exist for history and batch size, not for access.

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