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Image Filters

Grayscale, Sepia and Blur for images

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*Files deleted after 24 hours

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How to Apply Filters to Image

1 Upload the images you want to treat.
2 Pick your effects — grayscale, sepia, invert, blur, sharpen, brightness, contrast and saturation — and set the strength of each.
3 Apply them all in a single pass rather than running the tool repeatedly, which is what accumulates visible damage.
4 Download the filtered Image file, and keep your original: it is the only undo you have.

Image Filters FAQ

Does the source format change how a filter looks?
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It can. this format is read and written by the same streaming pipeline as everything else we support. Colour depth and the palette model in particular decide how smoothly a gradient or a blur can be represented.
Yes — the pipeline reads the real format from the file header rather than the extension, so a mislabelled upload still works. That is often the difference between an effect looking clean and looking banded.
No — the effect is baked into the output pixels, which is the point of applying it. Keep the original file; that is your undo. Grayscale and blur in particular discard information that genuinely cannot be recovered.
Concretely, the filter is applied per file with the right decoder for each format, so a mixed batch comes out with one consistent look. You pick the effect and its strength and the transform is applied to the whole file at once.
Yes, and mixing formats in the batch is fine — settings are applied per file with the right decoder for each. Free accounts run one file at a time; a pass removes that.
EXIF and the ICC colour profile are carried across wherever the target format supports them, and an alpha channel survives into any format that has one. Transparency is only flattened when the destination format has no way to represent it.
Yes: free accounts process images up to 5 MB each regardless of which image format you brought; ImageMagick, libjpeg-turbo, libpng and libwebp do the actual work. The cap is per file, so a batch of twenty 5 MB photos is fine even though the total is well over the limit.
That depends on what you brought. A lossless source (PNG, BMP, TIFF) round-trips exactly; a lossy one (JPG, WebP, GIF) is already the product of one quantisation pass and only re-encodes if the operation genuinely requires it.
WORD.to is built around the editable end of a document's life — the DOCX that is still being written, still being styled and still being argued over, before anyone flattens it for sending. Office files are containers full of other people's media — images, embedded audio, fonts — so the work people need on them is usually the work they would need on those contents anyway. Image Filters shares the upload, the caps and the account with the conversions for that reason.
The converter on this site takes documents out to PDF for sending, to images for embedding and to plain text for anything that has to read them programmatically, and back the other way. Doing that afterwards keeps the editable original around, which is the part you cannot get back once it has been flattened.
The engines are shared — the same document toolchain, the same workers, the same limits. What a Word site adds is a view on what survives leaving the Office format and what does not, which is the question every one of these jobs actually turns on. It also starts from one fact about the format this site is named after: the document is a zip of XML, so text edits are cheap and the weight is almost always the embedded images.
No account, and nothing is kept: uploads are deleted from the workers shortly after the job finishes, nothing is read and nothing is indexed. Free accounts exist for history and batch size, not for access.

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