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Rotate AVI

Fix Sideways AVI videos

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How to Rotate AVI

1 Upload the AVI videos that came out the wrong way round.
2 Pick a quarter turn or a half turn, or type an arbitrary angle and choose a colour for the corners it will expose.
3 Apply the rotation; the pixels and the orientation flag are reconciled so every viewer agrees on which way is up.
4 Download the rotated AVI file.

Rotate AVI FAQ

Does the format decide whether rotation is lossless?
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It does. AVI is the 1992 Microsoft container: broad codec support but no modern streaming features, no B-frame-friendly indexing and poor subtitle handling. That property is exactly what determines whether a quarter turn is free or costs a re-encode.
Yes — AVI has no modern index or B-frame-friendly structure, so accurate seeking usually requires a real re-encode rather than a copy. It is the kind of thing that explains why a file looks right in one application and wrong in another.
Because the orientation is stored as an EXIF flag rather than in the pixels, and not every viewer honours it. Rotating here normalises the two — the pixels and the flag end up agreeing, so the file looks the same everywhere.
Concretely, a rotation flag is written into the container where the target supports one, which needs no re-encode at all; where it does not, the frames are transposed and the stream is re-encoded once. Quarter turns and half turns are the common case and take the cheapest path available for the format.
Yes. Uploads queue in parallel, which matters more here than anywhere else because video jobs are minutes rather than seconds. Free accounts run one file at a time; a pass lifts that.
They are carried across. Multi-track audio, embedded subtitle tracks and chapter markers survive wherever the target container can represent them — that is the main thing that separates a proper job from a naive re-encode that silently keeps only track one.
Yes: free accounts process video up to 1 GiB per file, by far the most generous cap on the site; ffmpeg with x264, x265 and libvpx does the work, which is the same toolchain behind most desktop video software. Video is the one family where the cap is high enough that upload time, not the limit, is what you will actually notice.
It depends on whether the job needs a re-encode. Operations that only touch the container or the timeline are done as a stream copy and the picture is bit-identical to the source. Anything that has to redraw frames goes through x264/x265 at a quality level you set, where CRF 23 is visually transparent on most footage.
WORD.to is built around the editable end of a document's life — the DOCX that is still being written, still being styled and still being argued over, before anyone flattens it for sending. Office files are containers full of other people's media — images, embedded audio, fonts — so the work people need on them is usually the work they would need on those contents anyway. Rotate AVI shares the upload, the caps and the account with the conversions for that reason.
The converter on this site takes documents out to PDF for sending, to images for embedding and to plain text for anything that has to read them programmatically, and back the other way. Doing that afterwards keeps the editable original around, which is the part you cannot get back once it has been flattened.
The engines are shared — the same document toolchain, the same workers, the same limits. What a Word site adds is a view on what survives leaving the Office format and what does not, which is the question every one of these jobs actually turns on. It also starts from one fact about the format this site is named after: the document is a zip of XML, so text edits are cheap and the weight is almost always the embedded images.
No account, and nothing is kept: uploads are deleted from the workers shortly after the job finishes, nothing is read and nothing is indexed. Free accounts exist for history and batch size, not for access.

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