Free plan: 1 conversion/hour, 1 file at a time
Go Unlimited →

Change Audio Speed

Play audio files Faster or Slower

Choose your files

*Files deleted after 24 hours

Transform files free, Pro users can convert much larger files; Sign up now

Uploading

0%

How to Change the Speed of Audio

1 Upload the audio files you want to retime.
2 Choose a multiplier — 0.5x for half speed, 2x for double — staying roughly inside 0.75x to 2x if the content is speech.
3 Run it; the time-stretch preserves pitch, so voices stay natural instead of transposing upward.
4 Download the retimed Audio file with picture and sound still in sync.

Change Audio Speed FAQ

Does the source format affect the result?
+
It does. this format is read and written by the same streaming pipeline as everything else we support. That determines whether the retimed result can be written back cheaply or has to be fully re-encoded.
Yes — the codec is detected from the stream, so a mislabelled extension does not derail the job. Worth knowing before you commit to a large speed change.
Roughly 0.75x to 2x is transparent for speech. Beyond about 2.5x the stretch artefacts become audible on any algorithm, and below 0.5x the reconstruction has to invent too much. Music tolerates far less than speech does.
Concretely, pitch-preserving time-stretch is applied to whatever you uploaded, with the encode path chosen from the source codec. Choose a multiplier — 0.5x for half speed, 2x for double — and the whole file is retimed.
Yes. The set queues in parallel with identical settings, which is how you process an album or a podcast back catalogue without repeating yourself.
Yes — ID3, Vorbis comments and MP4 atoms are carried across along with embedded artwork, so processed files still sort correctly in a music library.
Yes: free accounts process audio up to 15 MB per file whichever codec you brought; ffmpeg handles the decode and encode. In practice that limit only bites on uncompressed WAV; a compressed file of the same length is nowhere near it.
It depends on the source. Lossless input (WAV, FLAC, AIFF) is edited sample-exactly and loses nothing. Lossy input has already discarded detail once, so where the job can be done by copying the encoded stream rather than re-encoding it, that is the path taken.
WORD.to is built around the editable end of a document's life — the DOCX that is still being written, still being styled and still being argued over, before anyone flattens it for sending. Office files are containers full of other people's media — images, embedded audio, fonts — so the work people need on them is usually the work they would need on those contents anyway. Change Audio Speed shares the upload, the caps and the account with the conversions for that reason.
The converter on this site takes documents out to PDF for sending, to images for embedding and to plain text for anything that has to read them programmatically, and back the other way. Doing that afterwards keeps the editable original around, which is the part you cannot get back once it has been flattened.
The engines are shared — the same document toolchain, the same workers, the same limits. What a Word site adds is a view on what survives leaving the Office format and what does not, which is the question every one of these jobs actually turns on. It also starts from one fact about the format this site is named after: the document is a zip of XML, so text edits are cheap and the weight is almost always the embedded images.
No account, and nothing is kept: uploads are deleted from the workers shortly after the job finishes, nothing is read and nothing is indexed. Free accounts exist for history and batch size, not for access.

Rate this utility
5.0/5 - 0 votes
ns6.com — Free WHOIS privacy, DNS and SSL on every domain.
Or release your files here