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Change AAC Speed

Play AAC audio files Faster or Slower

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How to Change the Speed of AAC

1 Upload the AAC audio files you want to retime.
2 Choose a multiplier — 0.5x for half speed, 2x for double — staying roughly inside 0.75x to 2x if the content is speech.
3 Run it; the time-stretch preserves pitch, so voices stay natural instead of transposing upward.
4 Download the retimed AAC file with picture and sound still in sync.

Change AAC Speed FAQ

Does the source format affect the result?
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It does. AAC is the MP4-family lossy codec, audibly better than MP3 at the same bitrate and the default for Apple devices. That determines whether the retimed result can be written back cheaply or has to be fully re-encoded.
Yes — AAC carries encoder delay in the container, so a naive cut can leave a few milliseconds of silence that a proper trim removes. Worth knowing before you commit to a large speed change.
Roughly 0.75x to 2x is transparent for speech. Beyond about 2.5x the stretch artefacts become audible on any algorithm, and below 0.5x the reconstruction has to invent too much. Music tolerates far less than speech does.
Concretely, the tempo is changed with a WSOLA time-stretch that leaves pitch alone, so speech stays intelligible instead of turning into a chipmunk; this needs a re-encode, so choose your speed once. Choose a multiplier — 0.5x for half speed, 2x for double — and the whole file is retimed.
Yes. Upload the set and they process in parallel with the same settings, which is the practical way to handle a podcast series or an album rather than repeating the job by hand.
Yes. ID3, Vorbis comments and MP4 metadata atoms are carried across, cover art included, so a processed file still sorts correctly in a music library. ReplayGain values are recalculated rather than copied, because a stale one is worse than none.
Yes: free accounts process audio up to 15 MB per file, which at typical bitrates is several hours of material; ffmpeg does the decoding and encoding, exactly as it would on a desktop. That is the most generous cap on the site after video, and audio work rarely runs into it.
A lossy file has already discarded detail once, and re-encoding discards more — that is generation loss and it does not undo. Wherever the job can be completed by copying the encoded stream rather than re-encoding it, that is what happens, and the audio comes back bit-identical.
WORD.to is built around the editable end of a document's life — the DOCX that is still being written, still being styled and still being argued over, before anyone flattens it for sending. Office files are containers full of other people's media — images, embedded audio, fonts — so the work people need on them is usually the work they would need on those contents anyway. Change AAC Speed shares the upload, the caps and the account with the conversions for that reason.
The converter on this site takes documents out to PDF for sending, to images for embedding and to plain text for anything that has to read them programmatically, and back the other way. Doing that afterwards keeps the editable original around, which is the part you cannot get back once it has been flattened.
The engines are shared — the same document toolchain, the same workers, the same limits. What a Word site adds is a view on what survives leaving the Office format and what does not, which is the question every one of these jobs actually turns on. It also starts from one fact about the format this site is named after: the document is a zip of XML, so text edits are cheap and the weight is almost always the embedded images.
No account, and nothing is kept: uploads are deleted from the workers shortly after the job finishes, nothing is read and nothing is indexed. Free accounts exist for history and batch size, not for access.

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